With a swift beat of the wings

George Braque

Mit raschem Fluegelschlag

 

Les Oiseaus

 

black birds

 

the bird and his nest

My favourite paintings always have been his bird paintings, (1950 – 1960), the simplicity of it and still so complicated  in the process of development (Im Werden).

The way I understand his development of a painting is that he studied and sketched everything he wanted to paint and just to pull and dissect it all to nothing in order to start from the beginning.

I like that because I understand the way that works; only I keep the colors while Braque thinks shapes (I guess).

Le jour

What surprises me so is what was written under his painting “Le Jour”, the writer in my book quotes Braque “If a painting does not disquiet – then what is it”.

He keeps on explaining the painting – “Le Jour” has a slightly nervy feel to it, the uneasiness emanates from the discordant relationship between yellow – green, burned ochre – yellow or violet – grey. The only uneasiness I detected is that large knife on the edge of the table.

But then we don’t have to agree with everything we read.

But we are always learning and there is still so much to be learned and so little time.

The empty nest by UR  1996

 

wish I had wings  1996

I still worked in fabric as well and made some ” WING” pieces

 

Raven ( after Robert Rauschenberg’s Collage”) ca 1998

  R. Rauschenberg

collage with stuffed bird

 

white raven (after I saw my first real white raven on Haida Gwai)

 

raven on oak  2000

 

white bird  2003

with swift wing beat 2012

My birds from 1996 to 2012

 

 

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